“Exactly.”
Even in my armor of cloth and lotion, behind the shades that shielded my sensitive eyes from ultraviolet rays, I was unnerved by the day around and above me. I felt eggshell-fragile in its vise grip.
Sasha was aware of my uneasiness but pretended not to notice. To take my mind off both the threat and the boundless beauty of the sunlit world, she did what she does so well—which is be Sasha.
“Where will you be later?” she asked. “When it’s over.”
“If it’s over. They could be wrong.”
“Where will you be when I’m on the air?”
“After midnight…probably Bobby’s place.”
“Make sure he turns on his radio.”
“Are you taking requests tonight?” I asked.
“You don’t have to call in. I’ll know what you need.”
At the next corner, she swung the Explorer right, onto Ocean Avenue. She drove uphill, away from the sea.
Fronting the shops and restaurants beyond the deep sidewalks, eighty-foot stone pines spread wings of branches across the street. The pavement was feathered with shadow and sunshine.
Moonlight Bay, home to twelve thousand people, rises from the harbor and flatlands into gentle serried hills. In most California travel guides, our town is called the Jewel of the Central Coast, partly because the chamber of commerce schemes relentlessly to have this sobriquet widely used.
The town has earned the name, however, for many reasons, not least of which is our wealth of trees. Majestic oaks with hundred-year crowns. Pines, cedars, phoenix palms. Deep eucalyptus groves. My favorites are the clusters of lacy melaleuca luminaria draped with stoles of ermine blossoms in the spring.
As a result of our relationship, Sasha had applied protective film to the Explorer windows. Nevertheless, the view was shockingly brighter than that to which I was accustomed.
I slid my glasses down my nose and peered over the frames.
The pine needles stitched an elaborate dark embroidery on a wondrous purple-blue, late-afternoon sky bright with mystery, and a reflection of this pattern flickered across the windshield.
I quickly pushed my glasses back in place, not merely to protect my eyes but because suddenly I was ashamed for taking such delight in this rare daytime journey even as my father lay dying.
Judiciously speeding, never braking to a full stop at those intersections without traffic, Sasha said, “I’ll go in with you.”
“That’s not necessary.”
Sasha’s intense dislike of doctors and nurses and all things medical bordered on a phobia. Most of the time she was convinced that she would live forever; she had great faith in the power of vitamins, minerals, antioxidants, positive thinking, and mind-body healing techniques. A visit to any hospital, however, temporarily shook her conviction that she would avoid the fate of all flesh.
“Really,” she said, “I should be with you. I love your dad.”
Her outer calm was belied by a quiver in her voice, and I was touched by her willingness to go, just for me, where she most loathed to go.
I said, “I want to be alone with him, this little time we have.”
“Truly?”
“Truly. Listen, I forgot to leave dinner out for Orson. Could you go back to the house and take care of that?”
“Yeah,” she said, relieved to have a task. “Poor Orson. He and your dad were real buddies.”
“I swear he knows.”
“Sure. Animals know things.”
“Especially Orson.”
From Ocean Avenue, she turned left onto Pacific View. Mercy Hospital was two blocks away.
She said, “He’ll be okay.”
“He doesn’t show it much, but he’s already grieving in his way.”
“I’ll give him lots of hugs and cuddles.”
“Dad was his link to the day.”
“I’ll be his link now,” she promised.
“He can’t live exclusively in the dark.”
“He’s got me, and I’m never going anywhere.”
“Aren’t you?” I asked.
“He’ll be okay.”
We weren’t really talking about the dog anymore.
The hospital is a three-story California Mediterranean structure built in another age when that term did not bring to mind uninspired tract-house architecture and cheap construction. The deeply set windows feature patinaed bronze frames. Ground-floor rooms are shaded by loggias with arches and limestone columns.
Some of the columns are entwined by the woody vines of ancient bougainvillea that blanket the loggia roofs. This day, even with spring a couple of weeks away, cascades of crimson and radiant purple flowers overhung the eaves.
For a daring few seconds, I pulled my sunglasses down my nose and marveled at the sun-splashed celebration of color.
Sasha stopped at a side entrance.
As I freed myself from the safety harness, she put one hand on my arm and squeezed lightly. “Call my cellular number when you want me to come back.”
“It’ll be after sunset by the time I leave. I’ll walk.”
“If that’s what you want.”
“I do.”
Again I drew the glasses down my nose, this time to see Sasha Goodall as I had never seen her. In candlelight, her gray eyes are deep but clear—as they are here in the day world, too. Her thick mahogany hair, in candlelight, is as lustrous as wine in crystal—but markedly more lustrous under the stroking hand of the sun. Her creamy, rose-petal skin is flecked with faint freckles, the patterns of which I know as well as I know the constellations in every quadrant of the night sky, season by season.
With one finger, Sasha pushed my sunglasses back into place. “Don’t be foolish.”
I’m human. Foolish is what we are.
If I were to go blind, however, her face would be a sight to sustain me in the lasting blackness.
I leaned across the console and kissed her.
“You smell like coconut,” she said.
“I try.”
I kissed her again.
“You shouldn’t be out in this any longer,” she said firmly.
The sun, half an hour above the sea, was orange and intense, a perpetual thermonuclear holocaust ninety-three million miles removed. In places, the Pacific was molten copper.
“Go, coconut boy. Away with you.”
Shrouded like the Elephant Man, I got out of the Explorer and hurried to the hospital, tucking my hands in the pockets of my leather jacket.
I glanced back once. Sasha was watching. She gave me a thumbs-up sign.
3
When I stepped into the hospital, Angela Ferryman was waiting in the corridor. She was a third-floor nurse on the evening shift, and she had come downstairs to greet me.
Angela was a sweet-tempered, pretty woman in her late forties: painfully thin and curiously pale-eyed, as though her dedication to nursing was so ferocious that, by the harsh terms of a devilish bargain, she must give the very substance of herself to ensure her patients’ recoveries. Her wrists seemed too fragile for the work she did, and she moved so lightly and quickly that it was possible to believe that her bones were as hollow as those of birds.
She switched off the overhead fluorescent panels in the corridor ceiling. Then she hugged me.
When I had suffered the illnesses of childhood and adolescence—mumps, flu, chicken pox—but couldn’t be safely treated outside our house, Angela had been the visiting nurse who stopped in daily to check on me. Her fierce, bony hugs were as essential to the conduct of her work as were tongue depressors, thermometers, and syringes.
Nevertheless, this hug frightened more than comforted me, and I said, “Is he?”
“It’s all right, Chris. He’s still holding on. Holding on just for you, I think.”
I went to the emergency stairs nearby. As the stairwell door eased shut behind me, I was aware of Angela switching on the ground-floor corridor lights once more.
The stairwell was not dangerously well-lighted. Even so, I climbed quickly and didn’t remove my sunglasses.
At the head of the stairs, in the third-floor corridor, Seth Cleveland was waiting. He is my father’s doctor, and one of mine. Although tall, with shoulders that seem round and massive enough to wedge in one of the hospital loggia arches, he manages never to be looming over you. He moves with the grace of a much smaller man, and his voice is that of a gentle fairy-tale bear.
“We’re medicating him for pain,” Dr. Cleveland said, turning off the fluorescent panels overhead, “so he’s drifting in and out. But each time he comes around, he asks for you.”
Removing my glasses at last and tucking them in my shirt pocket, I hurried along the wide corridor, past rooms where patients with all manner of maladies, in all stages of illness, either lay insensate or sat before bed trays that held their dinners. Those who saw the corridor lights go off were aware of the reason, and they paused in their eating to stare at me as I passed their open doors.
In Moonlight Bay, I am a reluctant celebrity. Of the twelve thousand full-time residents and the nearly three thousand students at Ashdon College, a private liberal-arts institution that sits on the highest land in town, I am perhaps the only one whose name is known to all. Because of my nocturnal life, however, not every one of my fellow townspeople has seen me.
As I moved along the hall, most of the nurses and nurses’ aides spoke my name or reached out to touch me.
I think they felt close to me not because there was anything especially winning about my personality, not because they loved my father—as, indeed, everyone who knew him loved him—but because they were devoted healers and because I was the ultimate object of their heartfelt desire to nurture and make well. I have been in need of healing all my life, but I am beyond their—or anyone’s—power to cure.
My father was in a semiprivate room. At the moment no patient occupied the second bed.
I hesitated on the threshold. Then with a deep breath that did not fortify me, I went inside, closing the door behind me.
The slats of the venetian blinds were tightly shut. At the periphery of each blind, the glossy white window casings glowed orange with the distilled sunlight of the day’s last half hour.
On the bed nearest the entrance, my father was a shadowy shape. I heard his shallow breathing. When I spoke, he didn’t answer.
He was monitored solely by an electrocardiograph. In order not to disturb him, the audio signal had been silenced; his heartbeat was traced only by a spiking green line of light on a cathode-ray tube.
His pulse was rapid and weak. As I watched, it went through a brief period of arrhythmia, alarming me, before stabilizing again.
In the lower of the two drawers in his nightstand were a butane lighter and a pair of three-inch-diameter bayberry candles in glass cups. The medical staff pretended to be unaware of the presence of these items.
I put the candles on the nightstand.
Because of my limitations, I am granted this dispensation from hospital rules. Otherwise, I would have to sit in utter darkness.
In violation of fire laws, I thumbed the lighter and touched the flame to one wick. Then to the other.
Perhaps my strange celebrity wins me license also. You cannot overestimate the power of celebrity in modern America.
In the flutter of soothing light, my father’s face resolved out of the darkness. His eyes were closed. He was breathing through his open mouth.
At his direction, no heroic efforts were being taken to sustain his life. His breathing was not even assisted by an inhalator.
I took off my jacket and the Mystery Train cap, putting them on a chair provided for visitors.
Standing at his bed, on the side more distant from the candles, I took one of his hands in one of mine. His skin was cool, as thin as parchment. Bony hands. His fingernails were yellow, cracked, as they had never been before.
His name was Steven Snow, and he was a great man. He had never won a war, never made a law, never composed a symphony, never written a famous novel as in his youth he had hoped to do, but he was greater than any general, politician, composer, or prize-winning novelist who had ever lived.
He was great because he was kind. He was great because he was humble, gentle, full of laughter. He had been married to my mother for thirty years, and during that long span of temptation, he had remained faithful to her. His love for her had been so luminous that our house, by necessity dimly lighted in most rooms, was bright in all the ways that mattered. A professor of literature at Ashdon—where Mom had been a professor in the science department—Dad was so beloved by his students that many remained in touch with him decades after leaving his classroom.
Although my affliction had severely circumscribed his life virtually from the day that I was born, when he himself was twenty-eight, he had never once made me feel that he regretted fathering me or that I was anything less than an unmitigated joy and a source of undiluted pride to him. He lived with dignity and without complaint, and he never failed to celebrate what was right with the world.
Once he had been robust and handsome. Now his body was shrunken and his face was haggard, gray. He looked much older than his fifty-six years. The cancer had spread from his liver to his lymphatic system, then to other organs, until he was riddled with it. In the struggle to survive, he had lost much of his thick white hair.
On the cardiac monitor, the green line began to spike and trough erratically. I watched it with dread.
Dad’s hand closed weakly on mine.
When I looked at him again, his sapphire-blue eyes were open and focused on me, as riveting as ever.
“Water?” I asked, because he was always thirsty lately, parched.
“No, I’m all right,” he replied, although he sounded dry. His voice was barely louder than a whisper.
I could think of nothing to say.
All my life, our house was filled with conversation. My dad and mom and I talked about novels, old movies, the follies of politicians, poetry, music, history, science, religion, art, and about owls and deer mice and raccoons and bats and fiddler crabs and other creatures that shared the night with me. Our discourse ranged from serious colloquies about the human condition to frothy gossip about neighbors. In the Snow family, no program of physical exercise, regardless of how strenuous, was considered to be adequate if it didn’t include a daily workout of the tongue.
Yet now, when I most desperately needed to open my heart to my father, I was speechless.
He smiled as if he understood my plight and appreciated the irony of it.
Then his smile faded. His drawn and sallow face grew even more gaunt. He was worn so thin, in fact, that when a draft guttered the candle flames, his face appeared to be hardly more substantial than a reflection floating on the surface of a pond.
As the flickery light stabilized, I thought that Dad seemed to be in agony, but when he spoke, his voice revealed sorrow and regret rather than pain: “I’m sorry, Chris. So damn sorry.”