Cecilia now, growing very impatient to hear the Opera, begged to know if they might not make a trial to get into the pit?

"I fear," said the Captain, smiling as they passed him, without offering any assistance, "you will find it extreme petrifying; for my part, I confess I am not upon the principle of crowding."

The ladies, however, accompanied by Mr Arnott, made the attempt, and soon found, according to the custom of report, that the difficulty, for the pleasure of talking of it, had been considerably exaggerated. They were separated, indeed, but their accommodation was tolerably good.

Cecilia was much vexed to find the first act of the Opera almost over; but she was soon still more dissatisfied when she discovered that she had no chance of hearing the little which remained: the place she had happened to find vacant was next to a party of young ladies, who were so earnestly engaged in their own discourse, that they listened not to a note of the Opera, and so infinitely diverted with their own witticisms, that their tittering and loquacity allowed no one in their vicinity to hear better than themselves. Cecilia tried in vain to confine her attention to the singers; she was distant from the stage, and to them she was near, and her fruitless attempts all ended in chagrin and impatience.

At length she resolved to make an effort for entertainment in another way, and since the expectations which brought her to the Opera were destroyed, to try by listening to her fair neighbours, whether those who occasioned her disappointment could make her any amends.

For this purpose she turned to them wholly; yet was at first in no little perplexity to understand what was going forward, since so universal was the eagerness for talking, and so insurmountable the antipathy to listening, that every one seemed to have her wishes bounded by a continual utterance of words, without waiting for any answer, or scarce even desiring to be heard.

But when, somewhat more used to their dialect and manner, she began better to comprehend their discourse, wretchedly indeed did it supply to her the loss of the Opera. She heard nothing but descriptions of trimmings, and complaints of hair-dressers, hints of conquest that teemed with vanity, and histories of engagements which were inflated with exultation.

At the end of the act, by the crowding forward of the gentlemen to see the dance, Mrs Harrel had an opportunity of making room for her by herself, and she had then some reason to expect hearing the rest of the Opera in peace, for the company before her, consisting entirely of young men, seemed, even during the dance, fearful of speaking, lest their attention should be drawn for a moment from the stage.




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