"Truly I do not know," said Lydia, puzzled; "unless it be that your

colleagues have failed to recommend themselves to society by their

extra-professional conduct as the others have."

"I grant you that fighting men ar'n't gentlemen, as a rule. No more

were painters, or poets, once upon a time. But what I want to know

is this: Supposing a fighting man has as good manners as your

friends, and is as well born, why shouldn't he mix with them and be

considered their equal?"

"The distinction seems arbitrary, I confess. But perhaps the true

remedy would be to exclude the vivisectors and soldiers, instead of

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admitting the prize-fighters. Mr. Cashel Byron," added Lydia,

changing her manner, "I cannot discuss this with you. Society has a

prejudice against you. I share it; and I cannot overcome it. Can you

find no nobler occupation than these fierce and horrible encounters

by which you condescend to gain a living?"

"No," said Cashel, flatly. "I can't. That's just where it is."

Lydia looked grave, and said nothing.

"You don't see it?" said Cashel. "Well, I'll just tell you all about

myself, and then leave you to judge. May I sit down while I talk?"

He had risen in the course of his remarks on Lydia's scientific and

military acquaintances.

She pointed to a chair near her. Something in the action brought

color to his cheeks.

"I believe I was the most unfortunate devil of a boy that ever

walked," he began, when he was seated. "My mother was--and is--an

actress, and a tiptop crack in her profession. One of the first

things I remember is sitting on the floor in the corner of a room

where there was a big glass, and she flaring away before it,

attitudinizing and spouting Shakespeare like mad. I was afraid of

her, because she was very particular about my manners and

appearance, and would never let me go near a theatre. I know very

little about either my people or hers; for she boxed my ears one day

for asking who my father was, and I took good care not to ask her

again. She was quite young when I was a child; at first I thought

her a sort of angel--I should have been fond of her, I think, if

she had let me. But she didn't, somehow; and I had to keep my

affection for the servants. I had plenty of variety in that way; for

she gave her whole establishment the sack about once every two

months, except a maid who used to bully her, and gave me nearly all

the nursing I ever got. I believe it was my crying about some

housemaid or other who went away that first set her abusing me for

having low tastes--a sort of thing that used to cut me to the heart,

and which she kept up till the very day I left her for good. We were

a precious pair: I sulky and obstinate, she changeable and

hot-tempered. She used to begin breakfast sometimes by knocking me

to the other side of the room with a slap, and finish it by calling

me her darling boy and promising me all manner of toys and things. I

soon gave up trying to please her, or like her, and became as

disagreeable a young imp as you'd ask to see. My only thought was to

get all I could out of her when she was in a good-humor, and to be

sullen and stubborn when she was in a tantrum. One day a boy in the

street threw some mud at me, and I ran in crying and complained to

her. She told me I was a little coward. I haven't forgiven her for

that yet--perhaps because it was one of the few true things she ever

said to me. I was in a state of perpetual aggravation; and I often

wonder that I wasn't soured for life at that time. At last I got to

be such a little fiend that when she hit me I used to guard off her

blows, and look so wicked that I think she got afraid of me. Then

she put me to school, telling me that I had no heart, and telling

the master that I was an ungovernable young brute. So I, like a

little fool, cried at leaving her; and she, like a big one, cried

back again over me--just after telling the master what a bad one I

was, mind you--and off she went, leaving her darling boy and blessed

child howling at his good luck in getting rid of her.




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