Fabian Grier's house was in a fashionable quarter of a fashionable street, the smallest of all built there; but it was happily placed, rather apart from others, at the very end of the distinguished promenade. Behind it, a little way up the hill, was a Roman Catholic chapel.
The surroundings of the house were rural for a city habitation. Behind it were commendable trees, from one of which a swing was hung. In a corner, which seemed to catch the sun, was a bird-cage on a pole, sought by pigeons and doves. In another corner was a target for the bow and arrow-evidence of the vigorous life of the owners of the house.
On the morning after Carnac told his mother he was going away, the doors of the house were all open. Midway between breakfast and lunch, the voices of children sang through the dining-room bright with the morning sun. The children were going to the top of the mountain-the two youngsters who made the life of Fabian and his wife so busy. Fabian was a man of little speech. He was slim and dark and quiet, with a black moustache and smoothly brushed hair, with a body lithe and composed, yet with hands broad, strong, stubborn.
As Junia stood by the dining-room table and looked at the alert, expectant children, she wished she also was going now to the mountain-top. But that could not be--not yet. Carnac had sent a note saying he wished to see her, and she had replied through Denzil that her morning would be spent with her sister. "What is it?" she remarked to herself. "What is it? There's nothing wrong. Yet I feel everything upside down."
Her face turned slowly towards the wide mountain; it caught the light upon the steeple of the Catholic chapel. She shuddered slightly, and an expression came into her shadowed eyes not belonging to her personality, which was always buoyant.
As she stood absorbed, her mind in a maze of perplexity, a sigh broke from her lips. She suddenly had a conviction about Carnac; she felt his coming might bring a crisis; that what he might say must influence her whole life. Carnac--she threw back her head. Suddenly a sweet, appealing, intoxicating look crossed her face. Carnac! Yes, there was a man, a man of men.
Tarboe got his effects by the impetuous rush of a personality; Carnac by something that haunted, that made him more popular absent than present. Carnac compelled thought. When he was away she wanted him; when he was near she liked to quarrel with him. When they were together, one moment she wanted to take his hands in her hands, and in the next she wanted to push him over some great cliff--he was so maddening. He provoked the devil in her; yet he made her sing the song of Eden. What was it?