It was not easy to form a positive opinion of the young woman who now

presented herself in Miss Henley's room.

If the Turkish taste is truly reported as valuing beauty in the female

figure more than beauty in the female face, Fanny Mere's personal

appearance might have found, in Constantinople, the approval which she

failed to receive in London. Slim and well balanced, firmly and neatly

made, she interested men who met her by accident (and sometimes even

women), if they happened to be walking behind her. When they quickened

their steps, and, passing on, looked back at her face, they lost all

interest in Fanny from that moment. Painters would have described the

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defect in her face as "want of colour." She was one of the whitest of

fair female human beings. Light flaxen hair, faint blue eyes with no

expression in them, and a complexion which looked as if it had never

been stirred by a circulation of blood, produced an effect on her

fellow-creatures in general which made them insensible to the beauty of

her figure, and the grace of her movements. There was no betrayal of

bad health in her strange pallor: on the contrary, she suggested the

idea of rare physical strength. Her quietly respectful manner was, so

to say, emphasised by an underlying self-possession, which looked

capable of acting promptly and fearlessly in the critical emergencies

of life. Otherwise, the expression of character in her face was

essentially passive. Here was a steady, resolute young woman, possessed

of qualities which failed to show themselves on the surface--whether

good qualities or bad qualities experience alone could determine.

Finding it impossible, judging by a first impression, to arrive at any

immediate decision favourable or adverse to the stranger, Iris opened

the interview with her customary frankness; leaving the consequences to

follow as they might.

"Take a seat, Fanny," she said, "and let us try if we can understand

each other. I think you will agree with me that there must be no

concealments between us. You ought to know that your mistress has told

me why she parted with you. It was her duty to tell me the truth, and

it is my duty not to be unjustly prejudiced against you after what I

have heard. Pray believe me when I say that I don't know, and don't

wish to know, what your temptation may have been--"

"I beg your pardon, Miss, for interrupting you. My temptation was

vanity."

Whether she did or did not suffer in making that confession, it was

impossible to discover. Her tones were quiet; her manner was

unobtrusively respectful; the pallor of her face was not disturbed by

the slightest change of colour. Was the new maid an insensible person?

Iris began to fear already that she might have made a mistake.




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