I took my pipe and strolled along the river bank. What had I stumbled

into? Here was an old inn, with rather a feudal air; but it was only

one in a thousand; a common feature throughout the Continent. And yet,

why had the gods, when they cast out Hebe, chosen this particular inn

for her mortal residence? The pipe solves many riddles, and then,

sometimes, it creates a density. I put my pipe into my pocket and

cogitated. Gretchen had brought about a new order of things. A

philosophical barmaid was certainly a novelty. That Gretchen was

philosophical I had learned in the rose gardens. That she was also

used to giving commands I had learned in the onion patch. Hitherto I

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had held the onion in contempt; already I had begun to respect it.

Above all, Gretchen was a mystery, the most alluring kind of mystery--a

woman who was not what she seemed. How we men love mysteries, which

are given the outward semblance of a Diana or a Venus! By and by, my

journalistic instinct awoke. Who are those who fear the newspapers?

Certainly it is not the guiltless. Of what was Gretchen guilty? The

inn-keeper knew. Was she one of those many conspirators who abound in

the kingdom? She was beautiful enough for anything. And whence came

the remarkable likeness between her and Phyllis? Here was a mystery

indeed. I had a week before me; in that time I might learn something

about Gretchen, even if I could solve nothing. I admit that it is

true, that had Gretchen been plain, it would not have been worth the

trouble. But she had too heavenly a face, too wonderful an eye, too

delicious a mouth, not to note her with concern.

I did not see Gretchen again that day; but as I was watching the moon

climb up, thinking of her and smoking a few pipes as an incense to her

shrine, I heard her voice beneath my window. It was accompanied by the

bass voice of the inn-keeper.

"But he is a journalist. Is it safe? Is anything safe from them?"

came to my ears in a worried accent, a bass.

So the inn-keeper, too, was a Socialist!

Said an impatient contralto: "So long as I have no fear, why should

you?"

"Ach, you will be found out and dragged back!" was the lamentation in a

throaty baritone. Anxiety raises a bass voice at least two pitches.

"If you would but return to the hills, where there is absolute safety!"

"No; I will not go back there, where everything is so dull and dead. I

have lived too long not to read a face at a glance. His eyes are

honest."