The last mellow hours of the day and the first cool breezes of the long summer evening had met before the dishes were all laid waste, and the bottles as empty as bottles should be. This point in the proceedings attained, the picnic party looked lazily at Pedgift Junior to know what was to be done next. That inexhaustible functionary was equal as ever to all the calls on him. He had a new amusement ready before the quickest of the company could so much as ask him what that amusement was to be.
"Fond of music on the water, Miss Milroy?" he asked, in his airiest and pleasantest manner.
Miss Milroy adored music, both on the water and the land--always excepting the one case when she was practicing the art herself on the piano at home.
"We'll get out of the reeds first," said young Pedgift. He gave his orders to the boatmen, dived briskly into the little cabin, and reappeared with a concertina in his hand. "Neat, Miss Milroy, isn't it?" he observed, pointing to his initials, inlaid on the instrument in mother-of-pearl. "My name's Augustus, like my father's. Some of my friends knock off the 'A,' and call me 'Gustus Junior.' A small joke goes a long way among friends, doesn't it, Mr. Armadale? I sing a little to my own accompaniment, ladies and gentlemen; and, if quite agreeable, I shall be proud and happy to do my best."
"Stop!" cried Mrs. Pentecost; "I dote on music."
With this formidable announcement, the old lady opened a prodigious leather bag, from which she never parted night or day, and took out an ear-trumpet of the old-fashioned kind--something between a key-bugle and a French horn. "I don't care to use the thing generally," explained Mrs. Pentecost, "because I'm afraid of its making me deafer than ever. But I can't and won't miss the music. I dote on music. If you'll hold the other end, Sammy, I'll stick it in my ear. Neelie, my dear, tell him to begin."
Young Pedgift was troubled with no nervous hesitation. He began at once, not with songs of the light and modern kind, such as might have been expected from an amateur of his age and character, but with declamatory and patriotic bursts of poetry, set to the bold and blatant music which the people of England loved dearly at the earlier part of the present century, and which, whenever they can get it, they love dearly still. "The Death of Marmion," "The Battle of the Baltic," "The Bay of Biscay," "Nelson," under various vocal aspects, as exhibited by the late Braham--these were the songs in which the roaring concertina and strident tenor of Gustus Junior exulted together. "Tell me when you're tired, ladies and gentlemen," said the minstrel solicitor. "There's no conceit about me. Will you have a little sentiment by way of variety? Shall I wind up with 'The Mistletoe Bough' and 'Poor Mary Anne'?"