One of Anna's objects in coming back to Russia had been to see
her son. From the day she left Italy the thought of it had never
ceased to agitate her. And as she got nearer to Petersburg, the
delight and importance of this meeting grew ever greater in her
imagination. She did not even put to herself the question how to
arrange it. It seemed to her natural and simple to see her son
when she should be in the same town with him. But on her arrival
in Petersburg she was suddenly made distinctly aware of her
present position in society, and she grasped the fact that to
arrange this meeting was no easy matter.
She had now been two days in Petersburg. The thought of her son
never left her for a single instant, but she had not yet seen
him. To go straight to the house, where she might meet Alexey
Alexandrovitch, that she felt she had no right to do. She might
be refused admittance and insulted. To write and so enter into
relations with her husband--that it made her miserable to think
of doing; she could only be at peace when she did not think of
her husband. To get a glimpse of her son out walking, finding
out where and when he went out, was not enough for her; she had
so looked forward to this meeting, she had so much she must say
to him, she so longed to embrace him, to kiss him. Seryozha's
old nurse might be a help to her and show her what to do. But
the nurse was not now living in Alexey Alexandrovitch's house.
In this uncertainty, and in efforts to find the nurse, two days
had slipped by.
Hearing of the close intimacy between Alexey Alexandrovitch and
Countess Lidia Ivanovna, Anna decided on the third day to write
to her a letter, which cost her great pains, and in which she
intentionally said that permission to see her son must depend on
her husband's generosity. She knew that if the letter were shown
to her husband, he would keep up his character of magnanimity,
and would not refuse her request.
The commissionaire who took the letter had brought her back the
most cruel and unexpected answer, that there was no answer. She
had never felt so humiliated as at the moment when, sending for
the commissionaire, she heard from him the exact account of how
he had waited, and how afterwards he had been told there was no
answer. Anna felt humiliated, insulted, but she saw that from
her point of view Countess Lidia Ivanovna was right. Her
suffering was the more poignant that she had to bear it in
solitude. She could not and would not share it with Vronsky.
She knew that to him, although he was the primary cause of her
distress, the question of her seeing her son would seem a matter
of very little consequence. She knew that he would never be
capable of understanding all the depth of her suffering, that for
his cool tone at any allusion to it she would begin to hate him.
And she dreaded that more than anything in the world, and so she
hid from him everything that related to her son. Spending the
whole day at home she considered ways of seeing her son, and had
reached a decision to write to her husband. She was just
composing this letter when she was handed the letter from Lidia
Ivanovna. The countess's silence had subdued and depressed her,
but the letter, all that she read between the lines in it, so
exasperated her, this malice was so revolting beside her
passionate, legitimate tenderness for her son, that she turned
against other people and left off blaming herself.