The ball was only just beginning as Kitty and her mother walked
up the great staircase, flooded with light, and lined with
flowers and footmen in powder and red coats. From the rooms came
a constant, steady hum, as from a hive, and the rustle of
movement; and while on the landing between trees they gave last
touches to their hair and dresses before the mirror, they heard
from the ballroom the careful, distinct notes of the fiddles of
the orchestra beginning the first waltz. A little old man in
civilian dress, arranging his gray curls before another mirror,
and diffusing an odor of scent, stumbled against them on the
stairs, and stood aside, evidently admiring Kitty, whom he did
not know. A beardless youth, one of those society youths whom
the old Prince Shtcherbatsky called "young bucks," in an
exceedingly open waistcoat, straightening his white tie as he
went, bowed to them, and after running by, came back to ask Kitty
for a quadrille. As the first quadrille had already been given
to Vronsky, she had to promise this youth the second. An
officer, buttoning his glove, stood aside in the doorway, and
stroking his mustache, admired rosy Kitty.
Although her dress, her coiffure, and all the preparations for
the ball had cost Kitty great trouble and consideration, at this
moment she walked into the ballroom in her elaborate tulle dress
over a pink slip as easily and simply as though all the rosettes
and lace, all the minute details of her attire, had not cost her
or her family a moment's attention, as though she had been born
in that tulle and lace, with her hair done up high on her head,
and a rose and two leaves on the top of it.
When, just before entering the ballroom, the princess, her
mother, tried to turn right side out of the ribbon of her sash,
Kitty had drawn back a little. She felt that everything must be
right of itself, and graceful, and nothing could need setting
straight.
It was one of Kitty's best days. Her dress was not
uncomfortable anywhere; her lace berthe did not droop anywhere;
her rosettes were not crushed nor torn off; her pink slippers
with high, hollowed-out heels did not pinch, but gladdened her
feet; and the thick rolls of fair chignon kept up on her head as
if they were her own hair. All the three buttons buttoned up
without tearing on the long glove that covered her hand without
concealing its lines. The black velvet of her locket nestled
with special softness round her neck. That velvet was delicious;
at home, looking at her neck in the looking glass, Kitty had felt
that that velvet was speaking. About all the rest there might be
a doubt, but the velvet was delicious. Kitty smiled here too, at
the ball, when she glanced at it in the glass. Her bare
shoulders and arms gave Kitty a sense of chill marble, a feeling
she particularly liked. Her eyes sparkled, and her rosy lips
could not keep from smiling from the consciousness of her own
attractiveness. She had scarcely entered the ballroom and
reached the throng of ladies, all tulle, ribbons, lace, and
flowers, waiting to be asked to dance--Kitty was never one of
that throng--when she was asked for a waltz, and asked by the
best partner, the first star in the hierarchy of the ballroom, a
renowned director of dances, a married man, handsome and
well-built, Yegorushka Korsunsky. He had only just left the
Countess Bonina, with whom he had danced the first half of the
waltz, and, scanning his kingdom--that is to say, a few couples
who had started dancing--he caught sight of Kitty, entering, and
flew up to her with that peculiar, easy amble which is confined
to directors of balls. Without even asking her if she cared to
dance, he put out his arm to encircle her slender waist. She
looked round for someone to give her fan to, and their hostess,
smiling to her, took it.