No one had noticed.
She licked her lips.
“I’m going to need something to crack this,” the young man was saying. “The bolt head’s sheared round. I can’t get it out.”
The older woman swore and turned to her.
“Got anything that’ll do the trick?”
“Not here,” Melba said. “I have an idea where I could get something to drill it out, though.”
“Move fast. We don’t want this place gettin’ stuffy.”
“Okay. You guys do what you can. I’ll be right back,” Melba lied.
Chapter Twenty-Four: Anna
E
schatology had always been Anna’s least favorite study of theology. When asked about Armageddon, she’d tell her parishioners that God Himself had been pretty circumspect on the topic, so it didn’t do much good to worry about it. Have faith that God will do what’s best, and avoiding His vengeance against the wicked should be the least compelling reason for worship.
But the truth was that she’d always had a deeply held disagreement with most futurist and millennialist interpretations. Not the theology itself, necessarily, since their guess at what the end times prophecies really meant was as good as anyone else’s. Her disagreement was primarily with the level of glee over the destruction of the wicked that sometimes crept into the teachings. This was especially true in some millennialist sects that filled their literature with paintings of Armageddon. Pictures of terrified people running away from some formless fiery doom that burned their world down behind them, while smug worshipers—of the correct religion, of course—watched from safety as God got with the smiting. Anna couldn’t understand how anyone could see such a depiction as anything but tragic.
She wished she could show them the Thomas Prince.
She’d been reading when it happened. Her hand terminal had been propped on her chest with a pillow behind it, her hands behind her head. A three-tone alarm had sounded a high-g alert, but it was late to the party. She was already being mashed into her crash couch so hard that she could feel the plastic of the base right through twenty centimeters of impact gel. It seemed to last forever, but it was probably just a few seconds. Her hand terminal had skidded down her chest, suddenly heavier than Nami the last time she’d picked her daughter up. It left a black-and-blue trail of bruises up her breastbone and slammed into her chin hard enough to split the skin. The pillow mashed into her abdomen like a ten-kilo sandbag, filling her mouth with the taste of stomach acid.
But worst of all was the pain in her shoulders. Both arms had snapped back flat against the bed, temporarily dislocating them. When the endless seconds of deceleration were over, both joints popped back into place with a pain even worse than when they’d come out. The gel of the couch, stressed beyond its design specifications, hadn’t gripped her the way it was meant to. Instead, it rebounded back into its prior shape and launched her in slow motion toward the ceiling of her cabin. Trying to put her hands in front of her sent bolts of agony through her shoulders, so she drifted up and hit the ceiling with her face. Her chin left a smear of blood on the fabric-covered foam.
Anna was a gentle person. She’d never in her life been in a fight. She’d never been in a major accident. The worst pain she’d ever felt before was childbirth, and the endorphins that had followed had mostly erased it from her memory. To suddenly be so hurt in so many different places at once left her dazed and with a sort of directionless anger. It wasn’t fair that a person could be hurt so much. She wanted to yell at the crash couch that had betrayed her by letting this happen, and she wanted to punch the ceiling for hitting her in the face, even though she’d never thrown a punch in her life and could barely move her arms.
When she could finally move without feeling light-headed she went looking for help and found that the corridor outside her room was worse.
Just a few meters from her door, a young man had been crushed. He looked as though a malevolent giant had stomped on him and then ground him under its heel. The boy was not only smashed, but torn and twisted in ways that barely left him recognizable as a human. His blood splashed the floor and walls and drifted around his corpse in red balls like grisly Christmas ornaments.
Anna yelled for help. Someone yelled back in a voice filled with liquid and pain. Someone from farther down the corridor. Anna carefully pushed off the doorjamb of her room and drifted toward the voice. Two rooms down, another man was half in and half out of his crash couch. He must have been in the process of getting out of bed when the deceleration happened, and everything from his pelvis down was twisted and broken. His upper torso still lay on the bed, arms waving feebly at her, his face a mask of pain.
“Help me,” he said, and then coughed up a glob of blood and mucus that drifted away in a red-and-green ball.
Anna drifted up high enough to push the comm panel on the wall without using her shoulder. It was dead. All the lights were the ones she’d been told came on in emergency power failures. Nothing else seemed to be working.
“Help me,” the man said again. His voice was weaker and filled with even more of a liquid rasp. Anna recognized him as Alonzo Guzman, a famous poet from the UN’s South American region. A favorite of the secretary-general, someone had told her.
“I will,” Anna said, not even trying to stop the tears that suddenly blinded her. She wiped her eyes on her shoulder and said, “Let me find someone. I’ve hurt my arms, but I’ll find someone.”
The man began weeping softly. Anna pushed back into the corridor with her toes, drifting past the carnage to find someone who wasn’t hurt.
This was the part the millennialists never put in their paintings.
They loved scenes of righteous Godly vengeance on sinful mankind. They loved to show God’s chosen people safe from harm, watching with happy faces as they were proved right to the world. But they never showed the aftermath. They never showed weeping humans, crushed and dying in pools of their own fluids. Young men smashed into piles of red flesh. A young woman cut in half because she was passing through a hatchway when catastrophe hit.
This was Armageddon. This is what it looked like. Blood and torn flesh and cries for help.
Anna reached an intersection of corridors and ran out of strength. Her body hurt too badly to continue. And in all four directions, the corridor floors and walls were covered with the aftermath of violent death. It was too much. Anna drifted in the empty space for a few minutes, and then she gently floated to the wall and stuck to it. Movement. The ship was moving now. Very slow, but enough to push her to the wall. She pushed away from it and floated again. Not still accelerating, then.