Margaret chose "My Faith looks up to Thee" for the first hymn, because Fiddling Boss could play it, and while he was tuning up his fiddle she hastily wrote out two more copies of the words. And so the queer service started with a quaver of the old fiddle and the clear, sweet voices of Margaret and Gardley leading off, while the men growled on their way behind, and Mom Wallis, in her new gray bonnet, with her hair all fluffed softly gray under it, sat with eyes shining like a girl's.

So absorbed in the song were they all that they failed to hear the sound of a horse coming into the clearing. But just as the last words of the final verse died away the door of the bunk-house swung open, and there in the doorway stood Pop Wallis!

The men sprang to their feet with one accord, ominous frowns on their brows, and poor old Mom Wallis sat petrified where she was, the smile of relaxation frozen on her face, a look of fear growing in her tired old eyes.

Now Pop Wallis, through an unusual combination of circumstances, had been for some hours without liquor and was comparatively sober. He stood for a moment staring amazedly at the group around his fireside. Perhaps because he had been so long without his usual stimulant his mind was weakened and things appeared as a strange vision to him. At any rate, he stood and stared, and as he looked from one to another of the men, at the beautiful stranger, and across to the strangely unfamiliar face of his wife in her new bonnet, his eyes took on a frightened look. He slowly took his hand from the door-frame and passed it over his eyes, then looked again, from one to another, and back to his glorified wife.

Margaret had half risen at her end of the table, and Gardley stood beside her as if to reassure her; but Pop Wallis was not looking at any of them any more. His eyes were on his wife. He passed his hand once more over his eyes and took one step gropingly into the room, a hand reached out in front of him, as if he were not sure but he might run into something on the way, the other hand on his forehead, a dazed look in his face.

"Why, Mom--that ain't really--you, now, is it?" he said, in a gentle, insinuating voice like one long unaccustomed making a hasty prayer.

The tone made a swift change in the old woman. She gripped her bony hands tight and a look of beatific joy came into her wrinkled face.