On my being introduced to him, he greeted me with gentle courtesy, and gave me also his simple unaffected benediction. We all partook of a light luncheon to-gether, after which repast Heliobas and Father Paul withdrew together. Zara looked after their retreating figures with a sort of meditative pathos in her large eyes; and then she told me she had something to finish in her studio--would I excuse her for about an hour? I readily consented, for I myself was desirous of passing a little time in solitude, in order to read the manuscripts Heliobas had given me. "For," thought I, "if there is anything in them not quite clear to me, he will explain it, and I had better take advantage of his instruction while I can."
As Zara and I went upstairs together, we were followed by Leo--a most unusual circumstance, as that faithful animal was generally in attendance on his master. Now, however, he seemed to have something oppressive on his mind, for he kept close to Zara, and his big brown eyes, whenever he raised them to her face, were full of intense melancholy. His tail drooped in a forlorn way, and all the vivacity of his nature seemed to have gone out of him.
"Leo does not seem well," I said, patting the dog's beautiful silky coat, an attention to which he responded by a heavy sigh and a wistful gaze approaching to tears. Zara looked at him.
"Poor Leo!" she murmured caressingly. "Perhaps he feels lonely. Do you want to come with your mistress to-day, old boy? So you shall. Come along--cheer up, Leo!"
And, nodding to me, she passed into her studio, the dog following her. I turned into my own apartment, and then bethought myself of the newspaper Mrs. Everard had thrust into my pocket. It was a Roman journal, and the passage marked for my perusal ran as follows: "The picture of the Improvisatrice, painted by our countryman Signor Raffaello Cellini, has been purchased by Prince N----for the sum of forty thousand francs. The Prince generously permits it to remain on view for a few days longer, so that those who have not yet enjoyed its attraction, have still time to behold one of the most wonderful pictures of the age. The colouring yet remains a marvel to both students and connoisseurs, and the life-like appearance of the girl's figure, robed in its clinging white draperies ornamented with lilies of the valley, is so strong, that one imagines she will step out of the canvas and confront the bystanders. Signor Cellini must now be undoubtedly acknowledged as one of the greatest geniuses of modern times."