The elevator doors open, and Elder holds his arm out to prevent them from closing without him. He searches my eyes. “I’m not angry at you,” he says, his voice sincere. “But these ‘clues’ aren’t going to fix the ship.”
Elder steps into the elevator, leaving me alone on the cold, empty cryo level. Part of me wishes he could stay, but I know he’s needed on the other levels. As I walk slowly back to the locked doors, I wonder how things would be different if Elder didn’t have to be in charge of Godspeed. I would never ask him to give up the leadership he’s longed for all his life . . . but maybe if he didn’t have to care about the ship first, I could believe him when he said he cared about me.
I pull the floppy we found out of my pocket. Maybe Elder is right. Maybe this is nothing but a wild-goose chase.
But . . . it’s all I have right now. It’s all I’ve had for three months. It’s the first spark of hope I’ve had since waking up, and I have to cling to it. I have to. I have to believe something, something will come of this.
I play the video file again, skimming over the words and straining my ears to pick up some nuance in Orion’s tone, something that will give me a clue.
Orion’s voice—so much like Elder’s—fills the hall. “Eldest doesn’t want anyone to know this secret. I don’t think he even wanted me to notice, but . . . the outside of the ship needed maintenance. . . . I—I saw what he wanted me not to see.”
“Whatever you found,” I tell Orion’s face, “you saw it outside the ship.”
We can’t go outside the ship. There’s the vacuum of space, waiting to suffocate us or turn our lungs to mush or pop our eyeballs or whatever. We’d die. Unless . . . unless behind one of the two remaining locked doors are space suits.
I stare up at the hatch that shows the stars. Well, of course there’d be something to enable people to safely go out the hatch. Surely the makers of the ship realized that in centuries of travel, the ship would need maintenance. That’s what Orion called me in the first video, his contingency plan—this must be theirs. Four locked doors on this hall. One leads to the armory, one leads to an evacuation hatch . . . one must store space suits.
The possibility of what I’m thinking hits me so hard that I don’t breathe for a minute. Then I remember the other thing Orion said.
But the secret . . . it should stay a secret.
No. I want—I need—to follow this through to the end. I need to know what Orion knows. Because if it’s something that will get the ship going again, that will get us to the planet—it’s worth it. And if it’s proof that the ship will never move again—that’s worth it too. It’s the not knowing that’s killing me. Not knowing if there’s a chance that something can change, not knowing if there’s hope at all.
I play the video again.
The thing is—there’s something different about this clue. It feels off. It was on a floppy, not a mem card. The scrolling text, the fact that Orion was so much younger—it’s as if someone found this video and cobbled it together from an old film. Which means . . . Orion didn’t make this.
Someone else has the real video—the real clue.
33
ELDER
“FREX,” I MUMBLE AS MARAE RUNS DOWN THE LIST OF EVERY thing that’s happened so far today. I’ve only been with Amy for two hours, tops, but I should have known better than to ignore my coms.
First there was the meeting Bartie held at the Recorder Hall as soon as the solar lamp clicked on. Second Shipper Shelby had been there already and commed Marae, who tried to com me. By the time Marae had gotten to the Recorder Hall with the rest of the first-level Shippers, Bartie had already presented his ideas for what the ship’s leadership should be like in the future, with an added note that I was too inept to rule. Thirty people had pressed their thumbprints on his petition, giving it their mark of approval.
Then Marae tried to “arrest” Bartie, but I don’t think she really even understood what the word meant, even though we’ve all been reading up on police forces and civil conflicts. I think she thought if she just shouted “I arrest you!” really loudly that would mean he’d quit, but instead he uploaded the petition to the floppy network and everyone on the ship had it by lunch.
Not that I had lunch. By midday, I was back in the City, standing up on the table at the Food Distro, explaining that, for some reason, wall food production was delayed. The whole time, the Food Distro manager, Fridrick, was staring at me, smirking, and I kept remembering how Bartie said that you could start a revolution if you took away people’s food. I did an all-call explaining that extra portions would be delivered for supper, but no one was really satisfied with that answer.
It wasn’t until now, with the workday nearly done, that Doc bothered to summon me to the Hospital and explain that someone had broken into his office and stolen his supplies of Phydus med patches.
“Why the frex didn’t you tell me this sooner?” I shout.
Doc cringes. “You looked busy.”
I roar—an inarticulate sound with no words. The stolen patches explain a lot—as I was running from one end of the ship to another, I’d noticed surreptitious looks and veiled comments, but I’d thought it was people passing around Bartie’s manifesto. Now I see they were also passing around the Phydus patches. The people who’ve been depressed—and many who weren’t—are trading anything they have for them.
“The worst thing,” Doc tells me as I stare at his disheveled office, “is that this must have happened yesterday. I haven’t been back to my office since early last morning. Whoever killed Stevy must have pocketed the patches after I left.”
Doc’s lips curl in disgust. I don’t know which part he hates the most: that someone stole med patches, or that whoever it was turned his office into a mess.
“I made the concentration of Phydus in the patches high on purpose,” Doc says, “so that one patch could quickly placate a person. But the problem is, with such a high concentration—”
“It only takes three patches to kill a person.”
“Yes. It’s very concentrated—two patches, and . . . It slows everything down. The organs. It’s too much for the body to handle. Three is death. I should have diluted the drug, but I thought . . .”
“You thought you’d be the one administering it.”
“Me or Kit. Someone who knew the dangers and could regulate it.” He sounds guilty, sad. But I’m as much to blame as he is. I approved the use of the patches.