De S. Fair Princess, welcome to the court of Navarre. Paula. Fair, I give you back again: and welcome, I have not yet.

Somerset listened to this and to all that which followed of the same sort, with the reflection that, after all, the Princess never throughout the piece compromised her dignity by showing her love for the King; and that the latter never addressed her in words in which passion got the better of courtesy. Moreover, as Paula had herself observed, they did not marry at the end of the piece, as in Shakespeare's other comedies. Somewhat calm in this assurance, he waited on while the other couples respectively indulged in their love-making, and banter, including Mrs. Camperton as the sprightly Rosaline. But he was doomed to be surprised out of his humour when the end of the act came on. In abridging the play for the convenience of representation, the favours or gifts from the gentlemen to the ladies were personally presented: and now Somerset saw De Stancy advance with the necklace fetched by Paula from London, and clasp it on her neck.

This seemed to throw a less pleasant light on her hasty journey. To fetch a valuable ornament to lend it to a poorer friend was estimable; but to fetch it that the friend's brother should have something magnificent to use as a lover's offering to herself in public, that wore a different complexion. And if the article were recognized by the spectators as the same that Charlotte had worn at the ball, the presentation by De Stancy of what must seem to be an heirloom of his house would be read as symbolizing a union of the families.

De Stancy's mode of presenting the necklace, though unauthorized by Shakespeare, had the full approval of the company, and set them in good humour to receive Major Camperton as Armado the braggart. Nothing calculated to stimulate jealousy occurred again till the fifth act; and then there arose full cause for it.

The scene was the outside of the Princess's pavilion. De Stancy, as the King of Navarre, stood with his group of attendants awaiting the Princess, who presently entered from her door. The two began to converse as the play appointed, De Stancy turning to her with this reply-'Rebuke me not for that which you provoke; The virtue of your eye must break my oath.'

So far all was well; and Paula opened her lips for the set rejoinder. But before she had spoken De Stancy continued-'If I profane with my unworthy hand (Taking her hand) This holy shrine, the gentle fine is this-- My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss.'




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